Reblogged from The New Yorker: A CRITIC AT LARGE
Silence, Exile, Punning
James Joyce’s chance encounters.
by Louis Menand
On a day in May, 1922, in Paris, a medical student named Pierre Mérigot de Treigny was asked by his teacher, Dr. Victor Morax, a well-known ophthalmologist, to attend to a patient who had telephoned complaining about pain from iritis, an inflammation of the eye. The student went to the patient’s apartment, in a residential hotel on the Rue de l’Université. Inside, he found a scene of disarray. Clothes were hanging everywhere; toilet articles were scattered around on chairs and the mantelpiece. A man wearing dark glasses and wrapped in a blanket was squatting in front of a pan that contained the remains of a chicken. A woman was sitting across from him. There was a half-empty bottle of wine next to them on the floor. The man was James Joyce. A few months before, on February 2nd, he had published what some people regarded then, and many people regard now, as the greatest work of prose fiction ever written in the English language.
The woman was Nora Barnacle. She and Joyce were unmarried, and had two teen-age children, Giorgio and Lucia, who were living with them in the two-room apartment. The conditions in which the student discovered them were not typical—Joyce lived in luxury whenever he could afford it, and often when he couldn’t—but the scene was emblematic. Joyce was a nomad. He was born in 1882, in Rathgar, a suburb of Dublin, and grew up the oldest of ten surviving children. After he started school, his family changed houses nine times in eleven years, an itinerancy not always undertaken by choice. They sometimes moved, with their shrinking stock of possessions, at night, in order to escape the attention of creditors. They did not leave a forwarding address…